Description
This image was my first attempt at employing a figure with the panotrait series. I used a figure that i had made several previous studies from in a collaboration with the award winning sculptor George Triggs, and his sculpture “Collision 2” Obviously using a figure had very different consequences to using a portrait to apply the panotrait construction technique to. In this case the figure seems to sweep across a darkened landscape, leaving a trail of light emblazoned behind it. And in so doing creates a very gestural, yet fractured sense of movement. It’s this sense of movement the title is derived from.
